Cloud music challenges individual choices

Amazon, this morning (March 29, 2011), just announced cloud music, ahead of rivals apple and google, and got me thinking about the implications of this, especially as it effects easy access to information.  My initial reaction was very postive, as somebody who really never grasped the post walkman (tape or cd) era of portable music.

I had every intention of making the leap and investing in an MP3 player when I was planning a long transatlantic excursion a few years back.  I was looking forward to not hauling my CD collection, something I had been doing for a while, usually in a way that scratched the disks, and left me with only a small subset of my favourite tunes.  However, I very quickly was put off, not only by the limited battery power, but more importantly by the possibility that in addition to an $80.00 investment, I'd probably have to a) buy a new computer to load the music, and b) spend the next 10 hours at least mixing or loading the device.  So I comforted myself with investing in a good headset, and thinking I could at least enjoy the music / muzak provided on board.  It had apparently been a while since I'd flown overseas, and didn't realize there no longer was any music, just television, and nothing that I'd enjoy watching.

So the announcement that I wouldn't have to transfer music to new / various devices seemed attractive, but upon further reflection, I'm very concerned. I can't argue with the convenience, now that many people own and use several devices that are capable of storing and playing music (or that the life span of any individual device is so short that you're seemingly forever transferring files). My concern is two-fold.

First there is the issue, which I've already had to wrestle with regarding safe and reliable storage on line of my reading material (i.e. refworks), regarding third party storage.

Second, there is a more important argument that is at the very heart of fair distribution, the increased dependence upon internet providers who in various jurisdiction are battling for the rights to run the show on a 'for-profit' model in a still largely unregulated environment.

In theory the music has been paid for once, and under the old model of ownership, it was mine to enjoy (with admittedly a few provisos: I couldn't broadcast it, charge for 'public concerts' etc.).  And there was something very liberating to be able to flop down in your own pad, crank your own tunes, or take a drive (if you must) roof down, open road partake in any other cliche images you can imagine.  Under the new model, we are more and more dependent on suitable internet access.  Being less technology burdened than many travellers, I'm not sure how good internet access is at 30 000 ft, or in a train or bus for that matter; but it sure was easier, to take a few tapes, cd, a player, headset and some batteries, and there was no one to blame but yourself, if you forget any of those pieces.  Moreover, as we've already seen in so many other circumstances, suitable internet access remains determined by population density, and demand for service, and ability for the larger community to provide infrastructure.  Where availability of music (and for that matter any kind of information) was once the privilege of individuals, and sometimes even proudly defended / protected, its mere enjoyment is being off-loaded to an entirely incompatible model, run by a third party with interests completely at odds with those of individual choice.  How ironic is that in a society that otherwise continues to pride itself on individual freedoms. (Of course that's another story).

Written on the occasion of the day after St. Patrick’s day, 2011, when I viewed a documentary entitled Famine and shipwreck: an Irish Odyssey

The programme, not surprisingly given the medium presented a very simple message, but simple messages are the most misleading, and are based on assumption that there is a single truth. Perhaps we are constrained by the time limits of the programme, and the expectation that by the end of it everything is nicely wrapped up, and we can rest comfortably. To its credit, it succeeded in one thing, namely it got me thinking, and perhaps even engaging in meaningful debate. But it also got me angry, or at least passionate enough to write this piece. I am especially bothered by its omissions and admissions; omitting that there was a long and complicated history before the famine (and what the salient points of that history are) and admitting, with little support, that Canada welcomed the Irish with open arms.

I think it best to try and summarize the most relevant omissions. There had been ongoing emigration from Ireland, and not on an insignificant scale to varying degrees, and from different regions, probably since the early 19^th century. I say probably, because Ireland, like the rest of the United Kingdom was subjected to a large-scale census that was directly related to very disruptive social change. Without getting into discussions about which came first, the census or the change, we can say with certainty that the project of colonization and distant control of local populations was well entrenched with the first Ordnance Survey early in the 19th century. In fact Ireland is unique compared to many other parts of the UK because a detailed census was taken by Elizabeth I to account for Catholics throughout her realm, producing some nearly unprecedented examples of cartographic surveillance, only to be replicated for the rest of the realm several hundred years later. And emigration to England was well enough established by the 1840s (even before the Famine) that Engels in his ‘conditions…” could comment on the Irish bringing down labour prices in Manchester by being willing to work for less than their English counterparts. (If memory serves he makes some very disparaging comments about their tendency not to wear shoes).

Although the film touched on the agricultural reforms that had forced many of the land, it made scant reference to the scale of the crisis. This had been going on throughout Europe, probably at least since the middle of the 18^th century (might have been related to the reforms of Marie Theresa in the Holy Roman Empire, and Frederick the Great in Prussia, and the reforms that were late in coming, and hence precipitated the French Revolution). And while in England these same reforms (Parliamentary Enclosures and Poor Law) led to the Captain Swing Riots of the 1830s, the film made no mention of the contemporaneous events in Ireland.

Additional context for the response, the desire to leave, may be in the aggressive colonization of Ireland from the very beginning of the 19^th century. Here’s a parallel with other colonized groups (in Canada) that the film omitted, namely the remapping and hence increased surveillance of the land. In Ireland this event has been dramatized by Brian Friel in his play Translations, (1981) and while related to a neighbouring Principality, by Hollywood in the 1995 film, The Englishman Who Went Up a Hill But Came Down a Mountain. We’ve seen this exercise of course in our own country and throughout the new world with names of colonial conquerors dotting our map (Vancouver, Edmonton, London, Windsor, Kitchener (or is that Berlin), and it was going on in Ireland as the English landlords sought to ‘translate’ place names throughout Ireland. I was struck, but not really surprised, by the existence of a well-argued written petition from a landless tenant to his landlord. Two questions that this raises, but were not even mentioned, are the fact that this individual could write, and write well, and that he wrote in English – a product, to be sure, of the previous generations’ institution of English rural schools throughout Ireland. Can no one see the irony of using the tools provided by the colonial overlords to negotiate one’s independence from them? But then history is full of irony, and my biggest complaint is that this is rarely brought to the fore, perhaps because it seems so often that the ability to recognize and appreciate it is a lost art.

And finally to the admissions: The admission that Canada welcomed these Irish with open arms. The film, did not present very convincing evidence, one way or another of this ‘fact’. The film opened with some fascinating, and probably hard to replicate facts, one that struck me in particular that 50% of the population of Ontario can claim (or claims, I don’t recall the exact words) Irish descent. It left the viewer just having to take this at face value, and yet, from the time of the first large wave of immigrants arriving from Ireland, it took at least one, if not two generations for Catholics to hold public office, and to be accepted into mainstream society. Throughout the 19^th century we have accounts of the Irish being discriminated against, the Irish language being suppressed, and the Irish urban populations being forced into clannish social organizations (allegedly well documented in an early 20^th century account, at least for the city of New York, in Herbert Asbury’s Gangs of New York). Elsewhere, in the county atlases that were produced of southern, and south eastern Ontario in the late 19^th century, and since then have reappeared as facsimile’s we see large tracts of bush, and none of it too attractive, marked as ‘suitable only for Irish’. Open arms indeed.
In the end it, while the programme succeeded at one level, I wonder why we must cater, in a medium such as this to a lowest common denominator to reaffirm a national myth, (sometimes a dangerous proposition) rather than challenge the viewer and introduce them to the more complex interconnectedness of historical and geographical events, perhaps making them yearn for more.

Aboriginal Contributions to Justice

I just spent the last 40 minutes chatting with a student researching native contributions to the Canadian Justice system.  He was stumped with database searching, and I can't say I blame him.  But over the course of chatting we came up with a number of items, plus some additional strategies.  This just demonstrates that while Databases are wonderful tools, they are just one in the toolbox, and nothing can fully replace human interaction with intelligent informed librarians.

He began by outlining his topic, and while he was chatting, and telling me he didn't have any good keywords to search, I was madly writing down some of the keywords from what he told me, which he claimed he didn't have.  His discussion also allowed me to recalls some key texts, I hadn't immediately thought of, and before long we ended up having a lengthy conversation with me occassionally interrupting and saying, 'Oh lets search that term, or that database'.  He also seemed to gain the confidence to talk to some people he knows who work directly in the field. It was a nice a ha moment for him.  Me, a bit frustrated at first that nothing was coming up with simple searches, but nice feeling as he left, that indeed there was hope, and no doubt he will find something, as there have been, in recent years some notable contributions.  Thanks to the folks at the National Aboriginal Achievement Awards for having a category for Justice and Law and recognizing these contributions.

Searching for Arrowsmith correspondence

Search for material on Aaron Arrowsmith is turning up surprisingly little about his maps, especially early maps. I'm starting to wonder if he might have corresponded with friend Ambros von Amman. Did they have Map producer's conferences? Amman did order a state of the art sextant or astrolabe (don't recall which) but it came from England. And he corresponded with leading scholars in Germany. What a find that would be? I smell research trip. Any body out there willing to sponsor? My employer won't pay, keeping me on contract only.